U.S. Copyright Royalty Board Submits a 44% Songwriter Streaming Royalty Increase

REPORTS: U.S. Copyright Royalty Board Submits a 44% Songwriter Streaming Royalty Increase

Paul Resnikoff
Publisher, Founder, French Horn Player

Last year, songwriters and publishers scored a major increase in streaming royalty rates. Now, that 44% rate bump has been officially published by the U.S. Copyright Royalty Board, though streaming services have 30 days to challenge the increase.

Ahead of any challenge, major publishers are issuing stern warnings to Spotify, Amazon, and other streaming music services.

“The Copyright Royalty Board publisher today the Final Rates and terms for songwriters for mechanical royalties (Decision was announced a year ago),” National Music Publishers’ Association (NMPA) president David Israelite declared.

“NMPA and NSAI [Nashville Songwriters Association International] fought hard to increase songwriter royalties by 44%+. The digital music companies now have 30 days to appeal that ruling, and in effect declare war on songwriters.”
The obvious next question is whether any of the streaming platforms will appeal the ruling.

Israelite’s aggressive tactic is a pre-battle strike, with threats of a ‘war’ potentially cooling any plans to challenge the ruling. Whether that works is anyone’s guess: earlier, mega-platforms like Spotify, Pandora, Sirius XM and others haven’t been shy about challenging royalty rates and terms they deem unfair, especially when investors stand to lose money.

Already, Apple has indicated that it won’t issue a challenge, according to Israelite. That’s great news for publishers and songwriters, though it may also be a competitive tactic by Apple to outgun its competitors by forcing higher royalties on everyone.

That’s an interesting war of attrition, with Apple employing a monstrous war chest to achieve dominance over cash-stressed companies like Spotify.
The net result, of course, is great for songwriters and publishers. Though maybe Spotify isn’t so eager to play along — let’s see.

“We will know soon whether some digital companies want to be partners or want to attack the Songwriters who make their businesses possible,” Israelite continued. “Stay tuned.”

The warring words could work, and effectively protect the royalty gains in question. But Israelite’s pitbull approach may also backfire. Just recently, Israelite was accused of tortious business interference by principles of the American Mechanical Licensing Collective (AMLC), a group competing with an NMPA-backed coalition to fulfill the duties the the Music Modernization Act’s Mechanical Licensing Collective (MLC).

According to the allegations, Israelite directly threatened AMLC board members to quit their posts, while promising damage to their careers if they didn’t. Within 48 hours of the AMLC’s announcement, two prominent members — George Howard and Larry Mestel of Primary Wave Media — had mysteriously resigned.

Israelite declined to respond to the allegations.

Separately, the NMPA is leading the charge on an ‘industry consensus’ MLC proposal, one stacked with serious support from major publishers and several other sectors. That may satisfy the MMA’s directive that the selected MLC body enjoy ‘majority’ support from the music industry, though the AMLC is zealously attacking the NMPA and major publishers for their inability (or refusal) to properly remunerate independent publishers and songwriters.

Meanwhile, the U.S. Government itself is sputtering along, with another crippling shutdown possible if Donald Trump doesn’t get his near-$6 billion funding for a border wall. Exactly how that would impact the 30-day appeal window is anyone’s guess, though it certainly won’t speed things along.

Paul Resnikoff
Publisher, Founder, French Horn Player

Hello! I’m the founder and publisher of Digital Music News, the authority for people in music. My coverage focus spans streaming platforms, artist royalties, format disruption, the vinyl resurgence, copyright battles, startup struggles, and financing/m&a. In terms of music, my favorite genres include classical (most eras), death metal, rap (especially old school), deep house, and pretty much anything featuring the French Horn. Let’s chat! [email protected]

Categories: Reports

No comments yet.

Leave a reply