Colorado Music-Related Business|

Storm Gloor (right) with students from his Music Cities class at the Music Cities Convention in Lafayette, Louisiana last year. (Photo courtesy of Storm Gloor)

By Jon Solomon, Westword | About four years ago, University of Colorado Denver professor Storm Gloor developed a class called Music Cities that would teach students about how municipalities could build, grow and sustain music economies. Now he’s teaming with Denver Arts & Venues, Colorado Creative Industries and the Music District in Fort Collins and CU to bring the international Music Cities Convention to Denver in September 2020.

The conference draws government, music industry, academic and nonprofit leaders from around the world to explore the relationship between music and urban life.

The inaugural Music Cities Convention was held in Brighton, England, in 2015; Denver organizations got involved shortly thereafter. The music education nonprofit Youth on Record presented in Washington, D.C., in 2015; Lisa Gedgaudas of Denver Arts & Venues, the city agency that oversees cultural activities, was there too.
In 2017, the Bohemian Foundation-funded Fort Collins Music District presented its work, fostering that city’s music economy at the conference in Memphis. And Arts & Venues has continued to have a presence at multiple conventions, including the most recent April event in Chengdu, China, which drew around 500 attendees and 18 nationalities.

Around four years ago, Gloor, who teaches in CU Denver’s Music and Entertainment Industry Studies program in the College of Arts and Media, was inspired to start looking into the idea of music cities after hearing a presentation at South by Southwest by Shain Shapiro, founder of Sound Diplomacy, the organization that produces the Music Cities Convention. Shapiro spoke about city governments and the importance of fostering healthy and thriving music communities.

“In reading Shain’s research and learning all about it and talking to folks here in Denver, I realized we had a lot of assets here — that, based on his work and from what I was hearing, we had a pretty solid music city,” Gloor says. “I wanted, at a very high level, to be sure that our students at CU Denver were aware of what we’ve got going here. And I was hoping they would be involved in the future of our music economy.”

Last October, Gloor took three of his students to the Music Cities Convention in Lafayette, Louisiana, to talk about a project they had worked on with the City of Arvada to recognize “some opportunities they might have to build their creative economy,” Gloor says. “We focused, of course, on music, and we saw how it could help artists in general.”

Back home, Gloor has also been a major collaborator in the creation of the Denver Music Strategy, a plan to turn the music industry into an even stronger economic driver. With a thriving live-music industry, Red Rocks Amphitheatre and innovative nonprofits like the Music District and Youth on Record, the region already has plenty to boast about.

When the Music Cities Convention comes to Denver next year, it will take place at the McNichols Building over several days — but there will be trips to Red Rocks and to the Music District in Fort Collins, where participants will learn more about the Bohemian Foundation-funded initiatives that have turned that college town into a music destination, explains Gedgaudas.
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Jon Solomon writes about music and nightlife for Westword, where he’s been the Clubs Editor since 2006.

Read the whole story here:

[Thank you to Alex Teitz, http://www.femmusic.com, for contributing this article.]

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