In Memoriam|

Buckwheat Zydeco playing on the main stage at the 2006 Festival International de Louisiane.

Buckwheat Zydeco playing on the main stage at the 2006 Festival International de Louisiane.

Buckwheat Zydeco Dies of Lung Cancer: Stanley Dural, Jr. (November 14, 1947 – September 24, 2016), better known by his stage name Buckwheat Zydeco, was an American accordionist and zydeco musician. He was one of the few zydeco artists to achieve mainstream success. His music group was formally billed as Buckwheat Zydeco and Ils Sont Partis Band, but they often performed as merely Buckwheat Zydeco.

The New York Times said: “Stanley ‘Buckwheat’ Dural leads one of the best bands in America. A down-home and high-powered celebration, meaty and muscular with a fine-tuned sense of dynamics…propulsive rhythms, incendiary performances.” USA Today called him “a zydeco trailblazer.” Buckwheat Zydeco performed with a large number of famous musicians from Eric Clapton (with whom he also recorded) and U2 to the Boston Pops. The band performed at the closing ceremonies of the 1996 Summer Olympics to a worldwide audience of three billion people. Buckwheat performed for President Clinton twice, celebrating both of his inaugurations. The band appeared on the Late Show with David Letterman, CNN, The Today Show, MTV, NBC News, CBS Morning News, and National Public Radio’s Weekend Edition.

Dural was born in Lafayette, Louisiana. He acquired his nickname as a youth, because, with his braided hair, he looked like the character Buckwheat from Our Gang/The Little Rascals movies. His father, a farmer, was an accomplished amateur traditional Creole accordion player, but young Dural preferred listening to and playing rhythm and blues.

Dural became proficient at the organ, and by the late 1950s he was backing Joe Tex, Clarence “Gatemouth” Brown and many others.

In 1971, he founded Buckwheat & the Hitchhikers, a funk band that he led for five years before switching to zydeco. They were a local sensation and found success with the single, “It’s Hard To Get,” recorded for a local Louisiana-based label.

He began backing Clifton Chenier, one of the most legendary zydeco performers. Though not a traditional zydeco fan when growing up, Buckwheat accepted an invitation in 1976 to join Clifton Chenier’s Red Hot Louisiana Band as organist. He quickly discovered the popularity of zydeco music, and marveled at the effect the music had on the audience. “Everywhere, people young and old just loved zydeco music,” Dural says. “I had so much fun playing that first night with Clifton. We played for four hours and I wasn’t ready to quit.”

Dural’s relationship with the legendary Chenier led him to take up the accordion in 1978. After practicing for a year, he felt ready to start his own band under the name Buckwheat Zydeco. They debuted with One for the Road in 1979 on the Blues Unlimited label and then recorded for New Orleans’ Black Top label. In 1983, they were nominated for a Grammy Award for Turning Point and in 1985 for Waitin’ For My Ya Ya after switching to the Rounder Records label. The band then signed to Island Records, becoming the first zydeco act on a major label, and released On a Night Like This, a critically acclaimed album that was nominated for a Grammy as well. The band appeared in the movie The Big Easy in 1987.

In 1988, Eric Clapton invited the band to open his North American tour as well as his 12-night stand at London’s Royal Albert Hall. As even more doors opened, Buckwheat found himself sharing stages and/or recording with Keith Richards, Robert Plant, Willie Nelson, Mavis Staples, David Hidalgo, Dwight Yoakam, Paul Simon, Ry Cooder, the Cherry Poppin’ Daddies and many others, including indie music stalwarts Yo La Tengo on the soundtrack to the Bob Dylan bio-pic, I’m Not There. His music has been featured in films including The Waterboy, The Big Easy, Fletch Lives and Hard Target. BET’s show Comic View, used his live version of “What You Gonna Do?” as theme music for the program’s 10th anniversary “Pardi Gras” season. He also wrote and performed the theme music for the PBS television series Pierre Franey’s Cooking In America. Buckwheat won an Emmy for his music in the CBS TV movie, Pistol Pete: The Life And Times Of Pete Maravich.

Buckwheat Zydeco has played many major music festivals, including the New Orleans Jazz & Heritage Festival (numerous times), Newport Folk Festival, Summerfest, San Diego Street Scene, Bumbershoot, Montreux Jazz Festival, the Voodoo Experience, and countless others.

During the 1990s and early 2000s Buckwheat recorded for his own Tomorrow Recordings label and maintained an extensive touring schedule. Buckwheat Zydeco’s latest album, Lay Your Burden Down, was released on May 5, 2009 on the Alligator Records label. It was produced by Steve Berlin of Los Lobos and included guest appearances by guitarists Warren Haynes and Sonny Landreth, Trombone Shorty, JJ Grey and Berlin himself. The album was nominated for a Grammy Award. Sonicboomers.com says, “The CD is a vastly entertaining and appealingly diverse package. Bandleader Dural remains an ever-engaging vocalist and a whiz on any keyboard he touches. So, for Buckwheat Zydeco fans, Lay Your Burden Down finds the maestro and his group near the top of their form. For listeners with less interest in the ol’ accordion get-down, the collection supplies enough interesting wrinkles to get the good times rolling.”

Buckwheat’s especially powerful and haunting version of the classic “Cryin’ in the Streets” appears on the benefit album for Hurricane Katrina recovery, Our New Orleans: A Benefit Album for the Gulf Coast.

Buckwheat’s version of Memphis Minnie and Kansas Joe McCoy’s “When the Levee Breaks” appeared on 2011’s Alligator Records 40th Anniversary Collection. It originally appeared on the 2009 Buckwheat Zydeco album Lay Your Burden Down.

Dural died of lung cancer at age 68 on September 24, 2016, at Our Lady of Lourdes Regional Medical Center.
https://en.wikipedia.org/wiki/Buckwheat_Zydeco

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John D. Loudermilk, Jr., Dies

John D. Loudermilk Jr. (March 31, 1934 – September 21, 2016) was an American singer and songwriter. Although he had his own recording career during the 1950s and 1960s, he was primarily known as a songwriter. His best-known songs include “Indian Reservation”, a 1971 #1 hit for Paul Revere & the Raiders; “Tobacco Road”, a 1964 top 20 hit for The Nashville Teens; “This Little Bird” a UK #6 for Marianne Faithfull in 1965, and “Then You Can Tell Me Goodbye”, a top ten hit in 1967 for The Casinos and also a #1 country hit for Eddy Arnold the following year.

Born in Durham, North Carolina, Loudermilk grew up in a family who were members of the Salvation Army and was influenced by church singing. His cousins Ira and Charlie Loudermilk were known professionally as The Louvin Brothers. Loudermilk was a graduate of Campbell College (now Campbell University), a private North Carolina Baptist Convention-owned college in Buies Creek, North Carolina.

As a young boy he learned to play the guitar, and while still in his teens, wrote a poem that he set to music, “A Rose and a Baby Ruth”. The owners of the local television station, where he worked as a handyman, allowed him to play the song on-air, resulting in country musician George Hamilton IV putting it on record in 1956. After Eddie Cochran had his first hit record with Loudermilk’s song “Sittin’ in the Balcony”, Loudermilk’s career path was firmly set.

Loudermilk recorded some of his songs, including “Sittin’ in the Balcony”, under the stage name “Johnny Dee” (reaching No. 38 on the pop charts in 1957). His “Johnny Dee” records were recorded for the North Carolina-based Colonial Records label.

In 1958, Loudermilk signed with Columbia Records and recorded five unsuccessful singles to 1959. In 1961, he signed with RCA Victor, where he had a number of hits:

* “Language of Love” (US No. 32/ UK Top 20) in 1961
* “Thou Shalt Not Steal” (US No. 73) in 1962
* “Callin’ Doctor Casey” (US No. 83) in 1962
* “Road Hog” (US No. 65) in 1962

It was as a songwriter that Loudermilk made his mark. In 1963 he wrote another all-time hit for George Hamilton IV, “Abilene”. Working out of country music capital Nashville, Tennessee, Loudermilk became one of the most productive songwriters of the 1960s and 1970s, penning country and pop music hits for the Everly Brothers, Johnny Tillotson, Chet Atkins, The Nashville Teens, Paul Revere & the Raiders, Johnny Cash, Marianne Faithfull, Stonewall Jackson, Sue Thompson and others. For example, he wrote “The Pale Faced Indian”, later known as “Indian Reservation”, a hit in the 1970s, and “Tobacco Road”, a hit in the 1960s and 1970s for, among others, the Nashville Teens, Blues Magoos, Eric Burdon & War, and David Lee Roth. “Midnight Bus” was recorded by several singers, and he commented that the best was by Betty McQuade in Melbourne, Australia.

He died on September 21, 2016 from bone cancer in Christiana, Tennessee.

“Indian Reservation”
A well-known story surrounding one of Loudermilk’s songs is that, when he was asked by the Viva! NashVegas radio show about the origins of the Raider’s hit song “Indian Reservation”, he told that he wrote the song after his car was snowed in by a blizzard and being taken in by Cherokee Indians. He claimed that the chief “Bloody Bear Tooth” asked him to make a song about his people’s plight and the Trail of Tears. Loudermilk, after being awarded the first medal of the Cherokee nation for this, was asked to read an old ledger book kept during The Trail of Tears. As he read through the names, he discovered his great grandparents, at the age of 91, were marched 1,600 miles (2,600 km) during the plight.

Read lots more at:
https://en.wikipedia.org/wiki/John_D._Loudermilk

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Kashif Saleem Dies

Kashif Saleem, previously Michael Jones (December 26, 1959 – September 25, 2016), was an American multi-instrumentalist, singer, songwriter, record producer, artist, composer, author, director and educator from New York City. Kashif first taught himself to play a $3 song flute at age seven and later the piano in the basement of his church. At age 15, Kashif joined B. T. Express and performed on stages around the world. He studied Islam and changed his name from Michael Jones to Kashif, which means discoverer and inventor. He crafted his own distinctive sound and later signed with Arista Records enjoying success as a solo artist.

Together with Stevie Wonder he was considered a pioneer in urban music thanks to his specific synthesizer technology approach and the introduction of MIDI in his production.[1]

Kashif was born Michael Jones on December 26, 1959, in the Harlem neighborhood of New York City. His only connection to his birth family is his birth certificate, which indicates that his biological mother was incarcerated when he was four months old. He was immediately put in foster care. He was constantly abused physically and mentally by his foster parents, and at the age of six, he moved into a more stable foster home. His introduction to music came in the form of a $3.00 song flute when he was in elementary school. He was instantly hooked and insisted on playing his flute all throughout the school day. His teacher encouraged him and delivered on her promise that she would help to enroll him at a junior high school that had a great music program. That is where he first learned to play trumpet, piano, flute, saxophone, and tuba. By age 12, with the mentoring of his junior high school music teacher (Robert Wedlaw) he had mastered several musical instruments and began performing in some of New York’s finest night clubs (Copacabana (nightclub) and Lloyd Price’s Turntable).

In 1974, at the age of 15, Kashif was recruited as a keyboard player and vocalist to join the funk band B. T. Express, whose credits included the hits “Here Comes The Express” and “Do It (‘Til You’re Satisfied)”, among others. Seeking a more challenging musical assignment in 1978, Kashif exited B. T. Express and landed a job as a keyboardist for R&B musician Stephanie Mills.
1983–1989: Solo career and nominations

In 1983, Kashif signed with Arista Records as a solo artist and continued with hits like “I Just Got To Have You, Lover Turn Me On”, “Stone Love”, “Help Yourself to My Love”, and the Grammy-nominated instrumental “The Mood”. In 1984, his second album, Send Me Your Love resulted in two Grammy nominations, “Edgartown Groove”, featuring Al Jarreau, and the instrumental “Call Me Tonight” along with the hits “Baby Don’t Break Your Baby’s Heart” and “Are You the Woman”. Introduced to Arista by Milton Allen, its artist development director in 1983, his self-titled debut Kashif (1983) spawned the hits “I Just Gotta Have You (Lover Turn Me On)”, “Stone Love”, “Help Yourself to My Love”, and “Say Something Love”. With this release, Kashif was well received as an innovator in music, as R&B artists were only beginning to experiment with synthesizers and other electronic instruments. He is said to have been Arista Records’ attempt to respond to Warner Bros. Records’ Prince.

In 1981 Kashif wrote and produced the hit “I’m in Love” for Evelyn “Champagne” King, which was a shift in sound from King’s “Shame” to a minimalist becoming Kashif’s signature sound. The song revitalized King’s career and branded Kashif as one of the most sought-after producers of the day. Over the next ten years, he created hit after hit including “So Fine” for Howard Johnson, “Love Come Down”, “Betcha She Don’t Love You”. and “Back To Love”, among many others.

His other albums include Send Me Your Love and Condition of the Heart. On the album Love Changes, Exposé provided background vocals. 1989’s Kashif, with the cover of the Four Tops’ hit “Ain’t No Woman Like the One I Got”, “Baby Don’t Break Your Baby’s Heart”, and “Are You the Woman”.

Kashif can be heard on releases by Kenny G, George Benson, Evelyn “Champagne” King, Johnny Kemp, Melba Moore, Dionne Warwick, Giorge Pettus, Stacy Lattisaw, Meli’sa Morgan, Exposé, The Wootens, Freda Payne, Whitney Houston, and others. His Grammy nominations are for the instrumentals “The Mood”, “Call Me Tonight”, “Edgartown Groove” featuring Al Jarreau.

In 1985, he received another Grammy nomination for another instrumental entitled “The Movie Song”. He also wrote and produced “Inside Love” for his musical idol, George Benson. It was during this time that he met and launched the career of then unknown Kenny G with “Hi How Ya Doin” and “Nighttime in Tribeca”.

In 1985, Kashif teamed up with then newcomer, Whitney Houston. The result was the hit “You Give Good Love”. Kashif also produced and was her duet partner on “Thinking About You”, a single track from Houston’s 17-million selling (30 million until current day) debut album. The album became the bestselling debut album by a female artist. Kashif also produced “Where You Are” on Houston’s second project, the result, a 15-million selling (25 million until current day) album entitled Whitney.
. . . . . . . . . .
https://en.wikipedia.org/wiki/Kashif_(musician)

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Other Notable Musicians’ Deaths…

September 2016:

27: Aurelian Preda, 47, Romanian folk singer, cancer.

26: Joe Clay, 78, American rockabilly musician; Ioan Gyuri Pascu, 55, Romanian singer, producer, actor and comedian, heart attack; Karel Ružicka, 76, Czech jazz pianist, Andel Award winner (1993).

25: Kashif, 59, American musician (B.T. Express) and record producer; Hagen Liebing, 55, German musician (Die Ärzte); Jean Shepard, 82, American honky tonk singer-songwriter (“A Dear John Letter”, “Slippin’ Away”), Parkinson’s disease.

24: Buckwheat Zydeco, 68, American accordionist and bandleader, lung cancer.

21: Shawty Lo, 40, American hip-hop musician (D4L), traffic collision; John D. Loudermilk, 82, American singer and songwriter (“Tobacco Road”, “Then You Can Tell Me Goodbye”, “Indian Reservation”), bone cancer; DJ Spank Spank, American electronic musician (Phuture).

20: Micki Marlo, 88, American singer and model.

From http://www.wikipedia.com

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